With Jehan Ranasinghe & Dave Bulmer
A very very grownup and sensible discussion of animated films by two silly people. (Theme tune by Bulby: https://www.youtube.com/c/Bulby)Subscribe via RSS Subscribe on iTunes
Disney+ is here, and we discuss what that means for our VHS collection. Plus! Brightside Euan is back, and he's watched The Little Mermaid now. He says it's the same as Ratatouille, and then weirdly manages to prove it.
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Today, Jehan tells us about the time he pestered Jafar and went up Aladdin's Enchanted Passage at Eurodisney. Plus! The first part of a new segment in which Brightside Euan, a man who hasn't seen a Disney Renaissance film, is pressured into watching one.
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Returning to the chronological releases, 2015's Cinderella was the first of the remakes to be an actual REMAKE. But was it good? We both sort-of disagree, and sort-of have an argument about it. Drama!* in the new Serious Disness! *(not really)
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This film defied our expectations in basically every way possible. We're joined by fellow Lion King expert and 3D animal artist Jamie Carr (@orbitalnomad) to explore whether it really is the animals that have left audiences feeling conflicted.
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Disney's latest remake warrants immediate, queue-jumping discussion, so here we are with our immediate (and I do mean immediate) response. (psst, go and see this film.) Rated E for one or two pretty mild words.
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Ursula has a tragic backstory, Disney need a remake exit strategy, and Gilbert Gottfried performs a beautiful love ballad. It's a minisode!
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Disney make a surprising and brave statement, but then things go a bit rickety
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And Other Stories. Initially planned as a brief addendum to the previous episode, actually we had a lot to talk about re: this AND OTHER sidewaysey Alice adaptations. (Explicit Content ticked because of one relatively rude word and... Jan.)
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And what Dave & Jehan Found There. We embark on a big new project that'll tide us over for a fair few episodes, but sadly it has to begin here.
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Positivity begins to seep back into the podcast like it was a dead arm we just rolled off. But even the genius of the film's big final statement is tempered by a couple of very significant swerves right at the end. Join us for the big final chunk.
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